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<channel>
	<title>pacquola.org &#187; movies</title>
	<atom:link href="http://www.pacquola.org/category/movies/feed/" rel="self" type="application/rss+xml" />
	<link>http://www.pacquola.org</link>
	<description>Do computers dream of electric sheep?</description>
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		<item>
		<title>Love Is the Answer</title>
		<link>http://www.pacquola.org/movies/love-is-the-answer/</link>
		<comments>http://www.pacquola.org/movies/love-is-the-answer/#comments</comments>
		<pubDate>Fri, 23 Sep 2011 22:51:03 +0000</pubDate>
		<dc:creator>pacquo</dc:creator>
				<category><![CDATA[movies]]></category>
		<category><![CDATA[music]]></category>

		<guid isPermaLink="false">http://www.pacquola.org/?p=2706</guid>
		<description><![CDATA[&#8220;I&#8217;m pretty tired&#8230; I think I&#8217;ll go home now.&#8221; A quote from Forrest Gump. My soundtrack for this: Love Is the Answer (England Dan &#038; John Ford Coley, 1979) Above: Nights are Forever (1976), LP cover. Picture released by Dan Coulter under a Creative Commons (BY-NC-SA) license. Requires Flash Player]]></description>
			<content:encoded><![CDATA[<div class="center"><a href="http://www.flickr.com/photos/dancoulter/2727735816/" rel="external"><img class="frame" src="http://www.pacquola.org/fig/dan_and_coley.jpg" width="325" height="325" alt="England Dan &#038; John Ford Coley" /></a></div>
<div class="center"><i>&#8220;I&#8217;m pretty tired&#8230; I think <a href="http://www.youtube.com/watch?v=tWzbCk18wTw" rel="external">I&#8217;ll go home now</a>.&#8221;</i>
</div>
<p>A quote from <b>Forrest Gump</b>. My soundtrack for this:<br />
<a href="http://grooveshark.com/s/Love+Is+The+Answer/3JBlHO?src=5" rel="external"><strong>Love Is the Answer</strong></a> (<a href="http://en.wikipedia.org/wiki/England_Dan_%26_John_Ford_Coley"><b>England Dan &#038; John Ford Coley</b></a>, 1979)</p>
<p>Above: <b>Nights are Forever</b> (1976), LP cover.<br />
<i>Picture  released by <a href="http://www.flickr.com/people/dancoulter/"><b>Dan Coulter</b></a> under a <a href="http://creativecommons.org/licenses/by-nc-sa/2.0/">Creative Commons (BY-NC-SA) license</a>.</i></p>
<p><i>Requires Flash Player</i></p>
]]></content:encoded>
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		</item>
		<item>
		<title>Kikujiro</title>
		<link>http://www.pacquola.org/movies/kikujiro/</link>
		<comments>http://www.pacquola.org/movies/kikujiro/#comments</comments>
		<pubDate>Sat, 16 Jul 2011 13:04:30 +0000</pubDate>
		<dc:creator>pacquo</dc:creator>
				<category><![CDATA[movies]]></category>

		<guid isPermaLink="false">http://www.pacquola.org/?p=2396</guid>
		<description><![CDATA[&#8220;In case you&#8217;d come looking, she left this bell for you. It&#8217;s an angel bell. If ever you&#8217;re sad or in trouble, just ring this bell. An angel will come to help.&#8221; Kikujiro (Takeshi Kitano, 1999): &#8220;the story of a young boy searching for his mother during his summer vacation.&#8221;. Requires Flash Player]]></description>
			<content:encoded><![CDATA[<div class="center"><img class="frame" src="http://www.pacquola.org/fig/kikujiro.jpg" width="400" height="300" alt="Kikujiro" /></div>
<p class ="center"><i>&#8220;In case you&#8217;d come looking,<br />
she left this bell for you.<br />
It&#8217;s an angel bell.<br />
If ever you&#8217;re sad or in trouble,<br />
just ring this bell.<br />
An angel will come to help.&#8221;</i></p>
<p><a href="http://en.wikipedia.org/wiki/Kikujiro"><strong>Kikujiro</strong></a> (<b>Takeshi Kitano</b>, 1999): &#8220;the story of a young boy searching for his mother during his summer vacation.&#8221;.</p>
<p><i>Requires Flash Player</i></p>
]]></content:encoded>
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		<item>
		<title>Last Exit to Nowhere</title>
		<link>http://www.pacquola.org/design/last-exit-to-nowhere/</link>
		<comments>http://www.pacquola.org/design/last-exit-to-nowhere/#comments</comments>
		<pubDate>Wed, 20 Apr 2011 21:32:39 +0000</pubDate>
		<dc:creator>pacquo</dc:creator>
				<category><![CDATA[design]]></category>
		<category><![CDATA[movies]]></category>

		<guid isPermaLink="false">http://www.pacquola.org/?p=2313</guid>
		<description><![CDATA[Last Exit to Nowhere &#8220;is a small collective of like-minded film enthusiasts, designers, illustrators, screenprinters and photographers. We collaborate to create unique T-shirts that pay homage to the most memorable places, companies and corporations in cinema history.&#8221;. From the top: Weyland-Yutani Corporation (Alien, 1979); Kobayashi Porcelain (The Usual Suspects, 1995); U.S.S. Sulaco (Aliens, 1986). Requires [...]]]></description>
			<content:encoded><![CDATA[<div class="center"><a href="http://www.lastexittonowhere.com/shop/product/weyland-yutani-corp/" target="_blank"><img class="frame" src="http://www.pacquola.org/fig/weyland-yutani.jpg" width="300" height="300" alt="Weyland-Yutani Corp" /></a></div>
<div class="center"><a href="http://www.lastexittonowhere.com/shop/product/kobayashi-porcelain/" target="_blank"><img class="frame" src="http://www.pacquola.org/fig/kobayashi.jpg" width="300" height="300" alt="Kobayashi T-Shirt" /></a></div>
<div class="center"><a href="http://www.lastexittonowhere.com/shop/product/u-s-s-sulaco/" target="_blank"><img class="frame" src="http://www.pacquola.org/fig/sulaco.jpg" width="300" height="300" alt="U.S.S. Sulaco T-Shirt" /></a></div>
<p><a href="http://www.lastexittonowhere.com/"><strong>Last Exit to Nowhere</strong></a> &#8220;is a small collective of like-minded film enthusiasts, designers, illustrators, screenprinters and photographers. We collaborate to create unique T-shirts that pay homage to the most memorable places, companies and corporations in cinema history.&#8221;.</p>
<p>From the top:<br />
<b>Weyland-Yutani Corporation</b> (<i>Alien</i>, 1979);<br />
<b>Kobayashi Porcelain</b> (<i>The Usual Suspects</i>, 1995);<br />
<b>U.S.S. Sulaco</b> (<i>Aliens</i>, 1986).</p>
<p><i>Requires Flash Player</i></p>
]]></content:encoded>
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		</item>
		<item>
		<title>If we don&#8217;t, remember me</title>
		<link>http://www.pacquola.org/movies/if-we-dont-remember-me/</link>
		<comments>http://www.pacquola.org/movies/if-we-dont-remember-me/#comments</comments>
		<pubDate>Tue, 18 Jan 2011 21:40:11 +0000</pubDate>
		<dc:creator>pacquo</dc:creator>
				<category><![CDATA[movies]]></category>

		<guid isPermaLink="false">http://www.pacquola.org/?p=2233</guid>
		<description><![CDATA[&#8220;Mr. President, I’m not saying we wouldn’t get our hair mussed. But I do say no more than ten to twenty million killed, tops.&#8221; If we don&#8217;t, remember me. Scenes from movies turned into animated gifs. Above: George C. Scott in Dr. Strangelove (Stanley Kubrick, 1964).]]></description>
			<content:encoded><![CDATA[<div class="center"><a href="http://iwdrm.tumblr.com/post/2746195335" target="_blank"><img class="frame" src="http://www.pacquola.org/fig/dr_strangelove.jpg" width="400" height="260" alt="Dr. Strangelove" /></a></div>
<p class="center"><i>&#8220;Mr. President, I’m not saying we wouldn’t get our hair mussed.<br />
But I do say no more than ten to twenty million killed, tops.&#8221;</i>
</p>
<p><a href="http://iwdrm.tumblr.com/"><strong>If we don&#8217;t, remember me</strong></a>. Scenes from movies turned into <i>animated gifs</i>.</p>
<p>Above: <b>George C. Scott</b> in <em>Dr. Strangelove</em> (<b>Stanley Kubrick</b>, 1964).</p>
]]></content:encoded>
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		<item>
		<title>The Sky Crawlers</title>
		<link>http://www.pacquola.org/animation/the-sky-crawlers/</link>
		<comments>http://www.pacquola.org/animation/the-sky-crawlers/#comments</comments>
		<pubDate>Sun, 26 Dec 2010 14:24:43 +0000</pubDate>
		<dc:creator>pacquo</dc:creator>
				<category><![CDATA[animation]]></category>
		<category><![CDATA[movies]]></category>
		<category><![CDATA[music]]></category>

		<guid isPermaLink="false">http://www.pacquola.org/?p=2191</guid>
		<description><![CDATA[&#8220;You always have the option to change the road you travel every day Even if the road is the same you can see different things Isn&#8217;t this enough to live? Or rather, may not be enough?&#8221; The Sky Crawlers (Sukai Kurora, 2008) &#8220;is set in an alternate history where, although the world is at peace, [...]]]></description>
			<content:encoded><![CDATA[<div class="center"><a href="http://www.youtube.com/watch?v=IvRFl0raLZc" target="_blank"><img class="frame" src="http://www.pacquola.org/fig/sky_crawlers.jpg" width="450" height="250" alt="The Sky Crawlers" /></a></div>
<p class="center"><i>&#8220;You always have the option to change the road you travel every day<br />
Even if the road is the same you can see different things<br />
Isn&#8217;t this enough to live?<br />
Or rather, may not be enough?&#8221;</i></p>
<p><a href="http://en.wikipedia.org/wiki/The_Sky_Crawlers_%28film%29"><strong>The Sky Crawlers</strong></a> (<i>Sukai Kurora</i>, 2008)  &#8220;is set in an alternate history  where, although the world is at peace, in order to ease the tension of a populace accustomed to war and aggression, private corporations contract fighter pilots to stage combat operations against each other for show.&#8221;.</p>
<p>Music by <a href="http://en.wikipedia.org/wiki/Kenji_Kawai"><b>Kenji Kawai</b></a>. Listen: <a href="http://www.youtube.com/watch?v=voWeZ-QEgqQ"><b>Main Theme (ending)</b></a>.
</p>
<p>Above: screenshot from the official trailer, detail.</p>
<p><i>Requires Flash Player</i></p>
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		<item>
		<title>Tropes</title>
		<link>http://www.pacquola.org/communication/tropes/</link>
		<comments>http://www.pacquola.org/communication/tropes/#comments</comments>
		<pubDate>Sun, 04 Apr 2010 08:56:29 +0000</pubDate>
		<dc:creator>pacquo</dc:creator>
				<category><![CDATA[communication]]></category>
		<category><![CDATA[language]]></category>
		<category><![CDATA[movies]]></category>

		<guid isPermaLink="false">http://www.pacquola.org/?p=2042</guid>
		<description><![CDATA[&#8220;I love acting. It is so much more real than life.&#8221; (Oscar Wilde, Reality Is Unrealistic) &#8220;Tropes are devices and conventions that a writer can reasonably rely on as being present in the audience members&#8217; minds and expectations. On the whole, tropes are not clichés. Tropes transcend television. They exist in life. Since a lot [...]]]></description>
			<content:encoded><![CDATA[<p><i>&#8220;I love acting. It is so much more real than life.&#8221;</i></p>
<p>(<b>Oscar Wilde</b>, <a href="http://tvtropes.org/pmwiki/pmwiki.php/Main/RealityIsUnrealistic"><b>Reality Is Unrealistic</b></a>)</p>
<p>&#8220;<a href="http://tvtropes.org/pmwiki/pmwiki.php/Main/Tropes"><b>Tropes</b></a> are devices and conventions that a writer can reasonably rely on as being present in the audience members&#8217; minds and expectations. On the whole, <i>tropes</i> are not clichés.</p>
<p><i>Tropes</i> transcend television. They exist in life. Since a lot of art, especially the popular arts, does its best to reflect life, tropes are likely to show up everywhere.&#8221;.</p>
<p><a href="http://tvtropes.org/pmwiki/pmwiki.php/Main/HomePage"><strong>TV Tropes</strong></a>: &#8220;a catalog of the tricks of the trade for writing fiction.&#8221;.</p>
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		<item>
		<title>Play Time</title>
		<link>http://www.pacquola.org/movies/play-time/</link>
		<comments>http://www.pacquola.org/movies/play-time/#comments</comments>
		<pubDate>Thu, 17 Sep 2009 20:01:58 +0000</pubDate>
		<dc:creator>pacquo</dc:creator>
				<category><![CDATA[movies]]></category>

		<guid isPermaLink="false">http://www.pacquola.org/?p=1308</guid>
		<description><![CDATA[&#8220;Play Time is French director Jacques Tati&#8216;s fourth major film. Tati wanted the film to be in color but look like it was filmed in black and white.&#8221;. &#8220;In Tati&#8217;s world, machines are confounding; yet, they are ever-present. Tati has seen how this technology has opened up the world by granting more possibilities to all, [...]]]></description>
			<content:encoded><![CDATA[<table summary="Play Time">
<tr>
<td><a href="http://www.youtube.com/watch?v=M7NaoN8Sx-Y"><img class="frame" src="http://www.pacquola.org/fig/playtime.jpg" alt="Play Time" /></a></td>
<td>&#8220;<a href="http://en.wikipedia.org/wiki/Play_Time"><strong>Play Time</strong></a> is French director <b>Jacques Tati</b>&#8216;s fourth major film.<br />
Tati wanted the film to be in color but look like it was filmed in black and white.&#8221;.</td>
</tr>
</table>
<p>&#8220;<a href="http://www.dvdtalk.com/reviews/23483/playtime-criterion-collection/">In Tati&#8217;s world</a>, machines are confounding; yet, they are ever-present.<br />
Tati has seen how this technology has opened up the world by granting more possibilities to all, and to reflect that, he has constructed office buildings with walls made entirely of glass and corridors that appear to go on forever.</p>
<p>He knows it&#8217;s a double-edged sword, however: while the glass opens things up, it also pushes us farther apart. Of course, living in Tati&#8217;s world isn&#8217;t all bad.<br />
Regardless of how much our creations fail us, humans don&#8217;t buckle under, we endure.&#8221;.<br />
(<b>Jamie S. Rich</b>)</p>
<p>Above: <b>Jacques Tati</b> (sitting on the left) as <i>Monsieur Hulot</i> in the <i>offices</i> sequence.</i></p>
<p><i>Requires Flash Player</i></p>
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		<item>
		<title>Down by Law</title>
		<link>http://www.pacquola.org/movies/down-by-law/</link>
		<comments>http://www.pacquola.org/movies/down-by-law/#comments</comments>
		<pubDate>Fri, 24 Jul 2009 21:43:01 +0000</pubDate>
		<dc:creator>pacquo</dc:creator>
				<category><![CDATA[movies]]></category>

		<guid isPermaLink="false">http://www.pacquola.org/?p=1105</guid>
		<description><![CDATA[- &#8220;What are you doing on the outside?&#8221;- &#8220;I was a DJ.&#8221;- &#8220;What?&#8221; Down by Law (Jim Jarmusch, 1986). With Tom Waits, John Lurie, Roberto Benigni.&#8220;The story of three different men in a Louisiana prison and their eventual journey.&#8221;. Requires Flash Player]]></description>
			<content:encoded><![CDATA[<table summary="Down by Law">
<tr>
<td><a href="http://www.youtube.com/watch?v=L5u3XHADmk8"><img class="frame" src="http://www.pacquola.org/fig/downbylaw.jpg" alt="Down by Law" /></a></td>
<td><i>- &#8220;What are you doing on the outside?&#8221;<br/>- &#8220;I was a DJ.&#8221;<br/>- &#8220;What?&#8221;</i></td>
</tr>
</table>
<p><a href="http://www.youtube.com/watch?v=L5u3XHADmk8"><strong>Down by Law</strong></a> (<b>Jim Jarmusch</b>, 1986). With <b>Tom Waits</b>, <b>John Lurie</b>, <b>Roberto Benigni</b>.<br />&#8220;<a href="http://en.wikipedia.org/wiki/Down_by_Law_(film)">The story</a> of three different men in a Louisiana prison and their eventual journey.&#8221;.</p>
<p><i>Requires Flash Player</i></p>
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		<item>
		<title>Signs</title>
		<link>http://www.pacquola.org/movies/signs/</link>
		<comments>http://www.pacquola.org/movies/signs/#comments</comments>
		<pubDate>Wed, 20 May 2009 19:18:22 +0000</pubDate>
		<dc:creator>pacquo</dc:creator>
				<category><![CDATA[movies]]></category>

		<guid isPermaLink="false">http://www.pacquola.org/?p=1065</guid>
		<description><![CDATA[Signs. A short film about communication. By Patrick Hughes. Requires Quick Time Player and broadband]]></description>
			<content:encoded><![CDATA[<div class="center"><a href="http://patrickhughes.com.au/shorts/schweppes_signs.html"><img class="frame" src="http://www.pacquola.org/fig/signs.jpg" alt="Signs" /></a></div>
<p><a href="http://patrickhughes.com.au/shorts/schweppes_signs.html"><strong>Signs</strong></a>. A short film about communication. By <a href="http://patrickhughes.com.au/"><b>Patrick Hughes</b></a>.</p>
<p><i>Requires Quick Time Player and broadband</i></p>
]]></content:encoded>
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		<item>
		<title>Concursante</title>
		<link>http://www.pacquola.org/movies/concursante/</link>
		<comments>http://www.pacquola.org/movies/concursante/#comments</comments>
		<pubDate>Sun, 23 Nov 2008 01:36:29 +0000</pubDate>
		<dc:creator>pacquo</dc:creator>
				<category><![CDATA[movies]]></category>

		<guid isPermaLink="false">http://www.pacquola.org/?p=926</guid>
		<description><![CDATA[&#8220;I don&#8217;t speak with economistsneverit&#8217;s a waste of timeI will do an exception for youbecause you seem a bad economist.&#8221;. Concursante (The Contestant, 2007). A movie by Rodrigo Cortes. "These are the rules: I speak, you listen there will be no questions I don't know your case but I know this there is only a [...]]]></description>
			<content:encoded><![CDATA[<table summary="concursante">
<tr>
<td><a href="http://video.google.com/videoplay?docid=7250032979429404320&#038;ei=EKMoSbnXC5T2iAKJ3pTjBg&#038;q=concursante&#038;hl=en"><img class="frame" src="http://www.pacquola.org/fig/concursante.png" alt="El Concursante" /></a></td>
<td><i>&#8220;I don&#8217;t speak with economists<br/>never<br/>it&#8217;s a waste of time<br/>I will do an exception for you<br/>because you seem a bad economist.&#8221;.</i></td>
</tr>
</table>
<p><a href="http://video.google.com/videoplay?docid=7250032979429404320&#038;ei=EKMoSbnXC5T2iAKJ3pTjBg&#038;q=concursante&#038;hl=en"><strong>Concursante</strong></a> (<i>The Contestant</i>, 2007). A movie by <b>Rodrigo Cortes</b>.<br />
<span id="more-926"></span></p>
<pre><i>"These are the rules: I speak, you listen
there will be no questions
I don't know your case
but I know this
there is only a single case, a single situation
if you pay attention probably you will learn something

I have chickens, you have tomatoes
I want tomatoes, you want eggs
what can we do?
an exchange
a simple exchange
for example, an egg for a tomato
things were this way at the beginning
it's clear that tomatoes sometimes are good, sometimes not
and if I want to buy a horse
it's not clear how many eggs I need
but if we refer to a bit of gold
gold is beautiful, shining and it's rare, is valuable
then we can make a conversion table
if a dozen eggs it is equal to a nugget of gold
and a horse costs one hundred nuggets,
it is easy to see that a horse is equivalent to one hundred dozen eggs
simple, isn't it?
gold becomes a currency of exchange
to simplify
we can no longer buy a horse with eggs
we change eggs with coins and it's done
beautiful, isn't it?

This is the first step
everything is more or less the same
simply now we need gold to buy things
milk, meat, clothes, tools
finally, the person who created the system has a place where he keeps the gold
this person is an altruist, of course
he doesn't want to sell us his gold, he rather lends it
for example, he lends to me ten coins
for twelve months
asking in return a small interest
say, ten per cent
so he threatens his gold while I don't risk anything
therefore he will need a guarantee in case I am not able to honor the agreement
in your case, you will mortgage your property
so the man will lend ten gold coins
for your carrots in exchange? no
you can keep your production of carrots and tomatoes
you don't have to sell anything, you continue to work
just, you should give back eleven coins in a year
ten coins plus the interest
how?
you can sell all your products
and you have a year
if you fail to honor the agreement the bank will take the property. Alright?

What is the problem?
we assume that the bank has a total of one hundred of gold coins
that is the amount of gold that exists
one hundred coins, nothing more
apart the good man there are other ten people:
you, me, a blacksmith, a seamstress, a policeman ... ten people in total
each one needs to buy gold and each one asked for a loan
ten coins for each one for a total of one hundred coins
the banker gave us all his gold
with absolute generosity
in exchange for what?
a mere ten percent?
a dime per person?
it's right!
But.

According to Pythagoras, we have a problem
if each one of us must pay eleven coins in twelve months
where we take them?
eleven coins for each one are one hundred and ten coins
this means that there are ten coins of interest that we will never pay
never, whatever happens
there are no problems, the bank was created to facilitate things
there is a reasonable solution
do not worry
now you pay only the interests
a coin
I will wait,
next year you will pay the initial amount
the ten coins, in short
so if one pays a coin will remain with nine coins
so if we have to pay ten coins
at the end of the year we will have the same debt and less money.

A coin in less than last year
so if we continue for another ten years
assuming that we have to pay only the interests
in the end we will have nothing
while we still have the original debt to be paid
the bank will have recovered all the gold
we will have nothing
and still have the initial debt to be paid
one hundred coins that all of us we fail to pay ever
simply because there are none
we lose land, livestock and the food
mortgaged as collateral ten years ago
in ten years, the bank will recover all his money
plus all our property
while we do not have anything
absolutely nothing
In practice we become slaves of the bank
and for what?
for nothing, and in return of nothing.".</i>
</pre>
<p><i>In Spanish. Requires Flash Player</i></p>
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